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Festival & Event Noise Monitoring

Monitoring noise during festivals and events is important to ensure your event doesn't impact any neighbouring residents or businesses and complies with any local authority requirements.

Pre-event Noise Assessment | Onsite Noise Monitoring

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    Festival & Event Noise Monitoring

    Expert acoustic consultancy, delivered across the UK.

    NOVA Acoustics provides noise monitoring services for festivals, outdoor events, concerts, and temporary licensed venues, measuring noise levels at residential receptors and producing reports to demonstrate compliance with local authority noise conditions and licensing requirements. Monitoring is carried out in line with the Pop Code and Noise from Pubs and Clubs Guide and applicable local authority event noise guidelines.

    Simple, fast & fully managed

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    HOW WE SUPPORT YOU

    report within 48 hours

    Pre- Assessment

    on site testing

    Onsite Noise Monitoring

    Consultants

    Exceedance Alerts

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    Complaints Management

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    Jargon Free & Clear

    White check

    Compliant Events

    Who We Work With

    Music Festivals

    Sports Stadiums

    Outdoor Events

    Preferential pricing via trade accounts.

    Benefit from exclusive trade rates, priority scheduling, project coordination assistance, and a dedicated point of contact to help streamline delivery across every stage of your project.

    Local presence. Nationwide capability.

    Experienced specialists you can trust.

    Our nationwide team combines technical expertise with practical industry experience, delivering reliable support for residential, commercial, and industrial projects of all sizes.

    Why choose NOVA Acoustics?

    What This Service Covers

    Pre-event Music Noise Level (MNL) agreement based on the Pop Code, the Noise from Pubs and Clubs Guide, and local authority licence conditions
    Pre-event sound system design and orientation advice, working with sound system suppliers to maximise on-site coverage while minimising off-site noise
    Preparation of a noise management plan detailing predicted sound levels and monitoring locations
    Real-time monitoring using Class 1 sound level meters with remote access during the event
    Hire-only or fully managed service tiers, including attended monitoring and on-the-day complaint management
    Post-event compliance reporting for submission to the local authority

    Understanding the Pop Code & Music Noise Levels

    The Pop Code is the informal name for the Noise Council’s Code of Practice on Environmental Noise Control at Concerts, published in 1995. While not legally binding, it sets out best practice for minimising the environmental impact of noise from concerts and outdoor events, and following it helps avoid the kinds of issues that can lead to breaches of relevant noise legislation.

    The Pop Code sets out maximum permitted noise levels for events, known as Music Noise Levels (MNLs). An MNL is the LAeq of music or vocals measured over a 15-minute period at a position 1 metre from the facade of the nearest noise-sensitive premises.

    Concert days per calendar year (per venue)
    Venue type
    Maximum permitted MNL
    1 to 3 days
    Urban stadium or arena
    75 dB(A) LAeq over 15 minutes
    1 to 3 days
    Other urban or rural venue

    65 dB(A) LAeq over 15 minutes

    4 to 12 days
    All venues
    15 dB(A) above background noise level, over 15 minutes

    Concert days per calendar year (per venue): 1 to 3 days

    Venue type: Urban stadium or arena

    Maximum permitted MNL: 75 dB(A) LAeq over 15 minutes

    Concert days per calendar year (per venue): 1 to 3 days

    Venue type: Other urban or rural venue

    Maximum permitted MNL: 65 dB(A) LAeq over 15 minutes

    Concert days per calendar year (per venue): 4 to 12 days

    Venue type: All venues

    Maximum permitted MNL: 15 dB(A) above background noise level, over 15 minutes

    It’s worth noting that the position used to monitor and control sound during the event, typically at the mixer, is not the same as the position used to assess MNL compliance, which is 1 metre from the facade of the nearest affected premises.

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    Frequently Asked Questions

    The Pop Code is the informal name for the Noise Council’s Code of Practice on Environmental Noise Control at Concerts, a 1995 guidance document developed by a working group of noise experts to help event organisers minimise the environmental impact of noise from concerts and outdoor events. Although not legally binding, following it helps reduce the risk of complaints and supports compliance with relevant noise legislation.
    Noise generates more complaints to local authorities than almost any other issue, and can quickly damage relationships with local residents and an event’s reputation. Glastonbury Festival, for example, was ordered to reduce its noise levels in 2019 following a record number of complaints. If a local authority upholds noise complaints, it can impose restrictions on future events, including limits on time and volume, or in extreme cases refuse a licence. Measuring, monitoring, and controlling noise also protects public health, since exposure to high noise levels, and low-frequency noise in particular, can contribute to sleep disturbance and related health issues.
    The Pop Code sets Music Noise Levels (MNLs) measured 1 metre from the facade of the nearest noise-sensitive premises. For events running 1 to 3 days, the limit is 75 dB(A) LAeq over 15 minutes for urban stadiums or arenas, and 65 dB(A) LAeq over 15 minutes for other urban or rural venues. For events running 4 to 12 days, the limit is 15 dB(A) above the background noise level over 15 minutes, at all venues.
    There are two relevant positions. The noise monitoring position, typically at the mixer, is where sound is monitored and controlled during the event itself. The compliance position for MNL purposes is 1 metre from the facade of the nearest noise-sensitive premises, which is where the Pop Code’s permitted noise levels apply.
    The process involves placing specialised equipment both within the event area and at noise-sensitive locations around the site, alongside engaging with local residents before and during the event to understand their experience and address concerns early. We also evaluate and help control the sound system to keep noise within agreed limits. Monitoring is typically accompanied by a noise management plan, often required by the local authority for events where noise levels could be significant.
    Noise monitoring is relevant for any event featuring amplified music or entertainment, ranging from smaller events where evidence of monitoring at a single residential receptor may be sufficient, through to larger events with stringent daytime and night-time limits across multiple locations and specific frequency ranges. In all cases, monitoring complements the noise management plan to give local authorities confidence that the event won’t cause undue disturbance.
    With a hire-only service, you receive monitoring equipment with automated reporting, suited to organisers who want to manage the process themselves. With a fully managed service, our consultants handle attended monitoring throughout the event, prepare the noise management plan and impact assessment, and proactively manage complaints on the day, giving a more hands-off option for larger or higher-risk events.
    Involving us early in the planning process allows us to work with sound system suppliers on system design and orientation to maximise on-site sound coverage while minimising off-site noise, and to prepare a noise management plan with predicted sound levels and monitoring locations well ahead of the event. This is particularly valuable for new event sites or larger multi-day festivals.

    We provide UK-wide coverage for festival and event noise monitoring, including Leeds, Manchester, London, Birmingham, Nottingham, Liverpool, Cambridge, Newcastle, Sheffield, Bristol, and Hull.

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